1. |
17 New Years
04:51
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2. |
Not My Real Life
05:14
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3. |
Osaka Son
04:32
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4. |
Moona Festival
03:43
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supported by 8 fans who also own “EP1”
This album is pretty much a rollercoaster. Starting off with Desolate.Magnificent, it slowly builds up with it's ambient and foggy sound. You keep thinking to yourself "This is nice and all... but when does the rollercoaster even start?" when right at the 2:47 mark you get launched backwards. Great fucking album. Keep it up! It's ambient sections always help me relax and calm down, it's energetic sections... well energize me!!
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supported by 8 fans who also own “EP1”
The beginning riff set you up for a journey some people aren't ready for. This album is a masterpiece, I accidentally bought it twice but I'd buy it a third time
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This was my introduction to Hail the sun almost a year ago, I like this album, and it's in my top 10 albums of all time, would love to have it on CD.
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The Chicago duo marries post-punk and indie-pop sounds on their charming debut release.
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Brightly hued art pop bursting with sound and color, “Hum” is as colorful and surreal as a Dali painting.
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Rust on the Gates of Heaven
by Wear Your Wounds
Slow-burning, post-metal devastation from members of Converge, Red Chord, Cave In, Twitching Tongues, and others.
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SECRET BAND S/T FULL LENGTH
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supported by 7 fans who also own “EP1”
Jon Mess is a lyrical beast. His scream is so unique and I'm in love with the fact that this project allows him to explore his voice a bit more (both literally and figuratively [those sing/screams on Honey Boo Buscemi and Meat Fetish are ufff]). Of course Will is the man, I see a different side of Matt (which is good), but i think the real star here is Martin. His heavier insight is truly what makes this album what it is. His riffs are heavy, progressive and oh so smart.
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